A number of exciting artists are associated with the gallery. The gallerist has worked with some of the artists for many years and newones are joining - they all share the joy of positive and happy art.
Here you can see the artists associated with One More Gallery.
Under each artist, you’ll find a selection of the works available at OMG. Feel free to contact us for a complete overview of all the works you'd like to learn more about.
Stop by and meet art at eye level.
Colour, form, and an irresistible eye for detail
At One More Gallery, we are delighted to present Annemarie Bang – an artist with a rare and refined sense of aesthetics and atmosphere. Trained in design, interior decoration, and styling, she describes herself as a visual soul, a finder of things, and a vintage lover – three words that capture her world perfectly.
Annemarie has been painting for many years, and her works exude both life and personality. She often works with portraits and large floral compositions, where colour takes centre stage – vivid, seductive, and full of presence. Her instinct for balance and her courage to play with colour combinations make her paintings both joyful and intriguing.
When His Majesty the King and Her Majesty the Queen visited Assens during the royal tour, one of Annemarie’s works – a beautiful double portrait – adorned the town’s local wine bar and became a natural talking point among visitors.
Originally from North Jutland, Annemarie Bang has made her home in Assens on West Funen, where her creative energy and love of form and colour leave a visible mark – both in her art and in the town’s cultural life.
At One More Gallery, we experience Annemarie as an artist who sees the world with her heart first – transforming everything she finds beautiful into paintings full of warmth, colour, and joie de vivre.
Perhaps you've seen me on Denmark's Best Portrait Painter, which aired on DR1 in November and December 2019.
If so, you've probably noticed that I'm not a traditional portrait painter. By profession, I'm a rhetorician, and I work with words every day.
But in the evening, my other passion takes over. It's rare for me to paint reality on my canvases. I paint from the inside out, create with colors, and am definitely not a beautifier. I practice the imperfect and am overtaken by the quirky—my method often starts with abstraction, and I paint up what I see. It's like interpreting coffee grounds.
From master of gastronomy to storyteller on canvas
At One More Gallery, we are proud to present a man most people know from a completely different universe – gastronomy. For decades, Erwin Lauterbach has been among Denmark’s most influential chefs, known for his acclaimed cookbooks, his restaurant Lumskebugtenin Copenhagen, and his collaboration with Claus Meyer. But before taste became his artistic language, it was colour and canvas that fascinated him.
As a young painter, Erwin exhibited at Kunsthal Charlottenborg, drawn deeply to the visual world. Later, gastronomy took over – and the brushes were set aside. Until now.
After a long life in the kitchen, Erwin sold his restaurant last year and officially retired – but in truth, it marked the beginning of a new chapter. Painting returned to him with the same attentiveness, sensuality, and respect for craftsmanship that had always characterised his culinary art.
It was a meeting with Anna Noe Bovin, director of GAIA Museum in Randers, that set things in motion. She noticed some of Erwin’s paintings quietly hanging in the restaurant’s toilets and instantly sensed something special in his expression. That meeting led to the exhibition “The Art of Copying”– a tribute to inspiration, storytelling, and artistic roots.
Erwin’s paintings move between naïvism and outsider art. They are full of stories where every figure, colour, and gesture carries intention. “Professionals steal, amateurs copy,” Erwin once said about his culinary work – and the exhibition title plays lovingly with that thought. It is a tribute to the artists who inspire us, whether we stand in a kitchen or before a canvas.
Erwin Lauterbach’s paintings invite us into a world teeming with stories. They are told with lightness yet executed with the precision of a perfectionist – now wielding a brush instead of a pan.
At One More Gallery, we are delighted to reveal a side of Erwin Lauterbach that few have known – one that beautifully connects art with the aesthetics, curiosity, and sensuality of gastronomy.
Henrik Hillerup was born on the island of Falster in 1970, trained as a graphic designer, and has been running his own business since 2000. Painting and art lay dormant for many years, but in 2018, after an extended period of stress, Henrik took up his paints and large canvases – quickly establishing a side activity that was also calming and gradually demanded more and more of his time. Now, his time is split roughly 50/50 between graphic work and painting.
His inspiration for both graphic work and paintings comes from daily life and family life in Dragør, including pets, his daily bike ride to the office in central Copenhagen, the beautiful and worn-down buildings along the way, and the iconic impressions of hidden or forgotten spots in the city that tell their own stories.
The translation of these daily inspirations and impressions differs greatly depending on whether it’s the computer, the tool for creating digital graphic design, or one of his bold, often large paintings. While words like minimalist, Nordic, and clean characterize his digital design, Henrik’s paintings are a burst of color with unapologetic wildness.
The built-in humorous thoughts and whimsical figures are characteristic of Henrik’s style, as are titles like The Man Who Wanted to Be Invisible, I Dance with My Legs Over My Head, and KING Carrot, which often refer to both imagery and underlying inspiration.
However, it is important to Henrik that his paintings are open to interpretation, and he often involves his wife and children in a lively discussion about the figures they see and the thoughts the painting provokes.
A painting, to me, is successful if it initiates a dynamic process where the viewer’s eyes search, and the brain works to form meaningful connections in something that initially appears chaotic.
In an art museum, I can almost forget to breathe when I stand before a large work by Salvador Dali, just as I can nearly feel physical discomfort from boredom when I look at a naturalistic image of a deer. There simply has to be something left for the imagination if I am to enjoy it.
For several years I searched for a material that could support the flimsy constructions.
For approx. 10 years ago I found it: Fiber concrete. The simultaneously slightly raw, thin and bright expression appeals to me, preferably combined with rust.
My starting point is the great paradox of our time: Humanity's ability to laugh, live, enjoy and hope, all the while we are destroying our own living conditions in an overriding climate and biodiversity crisis.
Each individual figure or sculpture takes a relatively long time to make, and it will always be unique, even if I sometimes repeat a "type". Link to website: https://gunvorkappel.dk
Where form, colour and freedom take over
“Art is my second language.” With these few words, Jørgen Skou perfectly captures the essence of his artistic practice.
With a solid background in the world of fashion, he has refined his sensitivity to structure, rhythm and materiality – but through art, he has freed himself from the functional constraints of clothing and embraced a new creative liberty.
At OMG One More Gallery, we see how Jørgen Skou translates his experience from design into a visual language where patterns, colours and dimensions interact freely. His works move between the carefully composed and the playfully experimental, always guided by an intuitive sense of balance and motion.
The serial aspect – repetition with variation – plays a key role in his artistic process. It highlights and amplifies subtle differences in form, structure and tone, so that each piece stands both as part of a series and as a unique expression in its own right.
Jørgen Skou continuously explores new approaches to materials and their potential. He examines how surfaces meet, how light shifts, and how texture can be transformed into pure form.
The result is art that can be felt – visually and physically. A universe where aesthetics and intuition merge, and where the language spoken is one of shape, rhythm and sensitivity.
The human element in the absurd
At One More Gallery, we love artists who dare to look at reality from a skewed angle – and Pia Voetmann certainly does. Her paintings revolve around people, not as they necessarily appear, but as she perceives them. It’s about expressions, reactions, and the small gestures that reveal something greater.
Her figures often appear in unexpected, sometimes absurd, settings, yet the starting point is almost always recognisable: everyday scenes, relationships, and routines. She paints boldly and energetically. The brushwork is free, the colours vibrant – and there is always a hint of humour amid the seriousness. Many of her works carry a subtle, self-ironic undertone, born from her own quirks and human observations.
Pia Voetmann lives in Faaborg, where she co-runs the artist collective Atelier Næste Stormwith two colleagues. Trained as an art communicator, fashion designer, and art therapist, her background clearly informs her work, where body, expression, and emotion intertwine in a way that is both playful and precise.
She has exhibited at several juried exhibitions, including Dronninglund Art Centre and KunstPunkt in Augustenborg.
At OMG One More Gallery, we see Pia Voetmann’s art as a celebration of the human condition – in all its awkwardness and beauty – with a loving twinkle in the eye and a sharp sense of what others might overlook
Art doesn't have to be pretty.
Art doesn't have to be gloomy.
Art should create an atmosphere or a feeling.
Then the relationship arises.
Henrik Dencker works from his own gallery and workshop in Berlin and Copenhagen respectively. Since 2007, Henrik Dencker has had several exhibitions at galleries and art fairs in Copenhagen, Berlin and Amsterdam, and has most recently become known for his interpretation of Tintin and Captain Haddock on a motorcycle. Henrik Dencker is co-owner of the gallery Dencker+Schneider in Berlin, and in addition a board member at Holbæk Academy of Arts.
I was 8 years old when I experienced the color as an important part of me. It was with my aunt and uncle, Kirsten and John Becker at their weaving school in Søllerød. In the workshop there were shelves with home-dyed yarns in the most beautiful shades.10 years later I was in Venice, where the light, the colors, the scents and the melody of the language went deep into the mind, it was like walking into the innermost part of my soul.
Only in 1991 did I try to put my sensory impressions on paper and canvas - since then I have continued, now full-time, and especially acrylic on canvas.Since 2003 I have exhibited in both Denmark, Sweden, the USA, France, Germany, Italy and at several fairs and censored exhibitions.
Awards received in 2019, 2020 and 2021.Over the years, I have written down quotes from various painters that accurately express my thoughts. Since I cannot formulate it more precisely myself, I will mention some of them here." - I think in colors "“ – I observe, sense, use memory to convey the mood ““ – When I put colors together, it is to achieve a living harmony of colors “" - The result will be without life, without relation to the feeling that had made me paint the painting, if I don't put my feeling and emotion into play""- I can only be deeply honest, forget everything I know and be open to what happens "" - There is almost always a conflict between what is seen and what the image demands, THE IMAGE IS ALWAYS RIGHT! "
Painters that I highly respect and are inspired by because they each have a great empathy for color are:Paul Cézanne, Henri Matisse, Marc Rothko, Francis Bacon.
Sonny Schneider currently works mostly with sculpture, but also draws and paints.The term is often constellations of absurd scenarios that take place in a parallel world. Based on nature and its many elements, the form is integrated with the human and animal character.
Sonny has participated in several censored exhibitions, most recently at KE2021, has run a gallery and workshop for 10 years and worked artistically with drawing and painting as well as sculpture for the past 20 years.
I am trained as an architect from the Academy of Fine Arts in Copenhagen, and have worked as an architect for many years. In recent years, I have chosen to work exclusively as a visual artist with painting as a form of expression.My inspiration in the first years, as a full-time painter, was Provence, but in recent years it has been the metropolis with New York as a source of inspiration, which has formed the basis for the artistic activity."
In my acrylic and oil paintings, I have an idea that the viewer should be able to take a walk in the picture, even behind and feel what you don't immediately see. When I paint the pictures, I fantasize freely and create my very own metropolis based on New York. I perceive the city as a landscape - Cityscape - and my background as an architect comes in handy when I construct the perspective on the canvas, with chalk on a black background, as an underlying necessary grit.It is, among other things, especially the transition between the light at twilight - where the electric light takes over and the contours blur and millions of lights are lit - I find my inspiration.Together with my muse, wife Lone,
I live in Hellerup and work in my studio in Melby by Liseleje in North Zealand, which we built in 2010. Here the paintings of the metropolis are created, but also the flower paintings are created here, inspired by my little birch grove with summer flowers just outside my studio".
Patience, precision, and dots with personality
At One More Gallery, Nasid Sandenholt invites us into a universe that demands time, focus, and curiosity. His works are not created for a quick glance – they are meant to be experienced slowly. One must let the eye wander and discover the many layers hidden within the whole.
Up to 6,000 small, carefully balanced dots make up a single image. Each dot is placed with calm deliberation, and together they form motifs where people, animals, flags, flowers, and numbers emerge in a colourful and surprisingly harmonious rhythm.
Nasid Sandenholt’s art is a study in patience. It contains both stillness and movement, structure and spontaneity – leaving the viewer with the sense of entering a world where even the smallest details matter.
The first time one encounters a work by Nasid Sandenholt, curiosity is instantly awakened – and it is hard to look away.
At One More Gallery, we experience his art as a precise and poetic counterpoint to the pace of contemporary life. Each dot carries its own energy, and together they form a visual language that is at once disciplined and dreamlike.
Where craftsmanship meets contemplation
At OMG One More Gallery, we value artists who master both the technical and the sensory – and Vibeke Rask is a brilliant example of that union. She holds a degree in painting conservation with a bachelor’s in chemistry and has worked in places where respect for tradition and craftsmanship is part of everyday life: the National Museum in Brede, the School of Conservation, and Royal Copenhagen.
Behind her professional precision lies a creative spirit that loves to challenge materials and methods. Vibeke prepares her own canvases using classical techniques and paints primarily in oils, yet she also moves freely between watercolour, gouache, and collage. Her experimental approach reflects both curiosity and a deep love of craftsmanship.
Her motifs often emerge from the close and familiar – human relationships, moments of connection, and poetic observations. At the same time, traces of foreign cultures, history, and whimsical ideas find their way into her paintings. There is always an undercurrent of wonder – a desire to understand and interpret the world through layers, textures, and colours.
In 2024, Vibeke Rask took part in the television programme “Danmarks bedste portrætmaler”(Denmark’s Best Portrait Artist, Season 5) and subsequently exhibited at Helligåndshuset in Copenhagen alongside the other portrait painters.
At One More Gallery, we see Vibeke’s works as a quiet conversation between past and present – between science and intuition. Each brushstroke bears witness to a life lived with deep respect for materials and an authentic joy in creation. Vibeke Rask was presented as an upcoming young Danish artistat Kunst for Alle 2025.
Birds with personality and poetry
At One More Gallery, B.C. – Birgit Kristensen – is a familiar and much-loved name. Our collaboration goes back several years, to our time in Liseleje, where we first encountered her and her enchanting ceramic birds. A warm connection formed immediately – her humour, whimsy, and keen eye for the unconventional fit perfectly with the gallery’s spirit.
Birgit Kristensen creates from a quietly humorous universe, where being “a little different in a good way” is a strength. Her birds are full of life and character – some sing together, others regard the world with calm contemplation. What unites them all is a sense of optimism: a spark of hope and warmth that never fails to bring a smile.
Each figure holds its own story, and together they form a delightful, humorous, and poetic world – one that makes you feel you’re in good company.
At One More Gallery, we are delighted once again to present Birgit Kristensen’s flock of birds – small ceramic personalities reminding us that the world becomes a little more beautiful when we dare to be ourselves.
Åbningstider:
Onsdag, torsdag og fredag: kl.12-17
Lørdag kl.10-14
Søndag lukket.
Vi åbner gerne efter aftale.
Mobil: 26221238
Email: annemettelorenzen@mac.com
CVR: 25870220
AL-Bank: Reg. 5358 Konto 0251704
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