A number of exciting artists are associated with the gallery. The gallerist has worked with some of the artists for many years and newones are joining - they all share the joy of positive and happy art.
Here you can see the artists associated with One More Gallery.
Under each artist, you’ll find a selection of the works available at OMG. Feel free to contact us for a complete overview of all the works you'd like to learn more about.
Stop by and meet art at eye level.
Marie Morgan lives and works from her home in Frederiksberg. Her paintings reflect everyday life and the familiar, with her own twist. The style is described as a blend of realism and magical realism in a pure line that plays with the familiar.
Marie’s works make you smile and wonder at the same time.
It is art with familiarity and subtle humor, works with great technique and a beautiful understanding of color.
Perhaps you've seen me on Denmark's Best Portrait Painter, which aired on DR1 in November and December 2019.
If so, you've probably noticed that I'm not a traditional portrait painter. By profession, I'm a rhetorician, and I work with words every day.
But in the evening, my other passion takes over. It's rare for me to paint reality on my canvases. I paint from the inside out, create with colors, and am definitely not a beautifier. I practice the imperfect and am overtaken by the quirky—my method often starts with abstraction, and I paint up what I see. It's like interpreting coffee grounds.
Jan Gustav has many years of experience in interior design for major Nordic brands. In addition to his design talent and artistic expression, he has also completed a BA in Religion, Gender, and Minorities.
Jan Gustav grew up on the island of Langeland in Southern Funen but is now based in Copenhagen. He has a background in interior design, styling, and design for several major Nordic brands. Alongside his design talent and artistic expression, he has recently completed a BA in Religious Studies, Gender, and Minorities.
As an artist, the sea and especially the color blue serve as a source of inspiration for many of the works that emerge in his artistic practice. Jan Gustav draws inspiration from social structures, traditions, and everyday life, positioning himself on the boundary between the abstract and the figurative.
Henrik Hillerup was born on the island of Falster in 1970, trained as a graphic designer, and has been running his own business since 2000. Painting and art lay dormant for many years, but in 2018, after an extended period of stress, Henrik took up his paints and large canvases – quickly establishing a side activity that was also calming and gradually demanded more and more of his time. Now, his time is split roughly 50/50 between graphic work and painting.
His inspiration for both graphic work and paintings comes from daily life and family life in Dragør, including pets, his daily bike ride to the office in central Copenhagen, the beautiful and worn-down buildings along the way, and the iconic impressions of hidden or forgotten spots in the city that tell their own stories.
The translation of these daily inspirations and impressions differs greatly depending on whether it’s the computer, the tool for creating digital graphic design, or one of his bold, often large paintings. While words like minimalist, Nordic, and clean characterize his digital design, Henrik’s paintings are a burst of color with unapologetic wildness.
The built-in humorous thoughts and whimsical figures are characteristic of Henrik’s style, as are titles like The Man Who Wanted to Be Invisible, I Dance with My Legs Over My Head, and KING Carrot, which often refer to both imagery and underlying inspiration.
However, it is important to Henrik that his paintings are open to interpretation, and he often involves his wife and children in a lively discussion about the figures they see and the thoughts the painting provokes.
A painting, to me, is successful if it initiates a dynamic process where the viewer’s eyes search, and the brain works to form meaningful connections in something that initially appears chaotic.
In an art museum, I can almost forget to breathe when I stand before a large work by Salvador Dali, just as I can nearly feel physical discomfort from boredom when I look at a naturalistic image of a deer. There simply has to be something left for the imagination if I am to enjoy it.
Jørgen Skou is a trained designer and has worked for Pierre Cardin in Paris for many years. Now, he has returned and resides in Frederiksberg. Jørgen Skou primarily focuses on embroidered works, where silhouettes, folds, and cutouts transform into stunning visual aesthetic creations.
The design process is unmistakably present.
For several years I searched for a material that could support the flimsy constructions.
For approx. 10 years ago I found it: Fiber concrete. The simultaneously slightly raw, thin and bright expression appeals to me, preferably combined with rust.
My starting point is the great paradox of our time: Humanity's ability to laugh, live, enjoy and hope, all the while we are destroying our own living conditions in an overriding climate and biodiversity crisis.
Each individual figure or sculpture takes a relatively long time to make, and it will always be unique, even if I sometimes repeat a "type". Link to website: https://gunvorkappel.dk
Gitte Skovmand is a visual artist and teaches in art environments for young people in Odense in HC. Andersen's city. She is co-owner of an art workshop for children, Violas Værksted, and is the initiator of many art and cultural events in the public space, mainly in textile street art, knitting graffiti / embroidery.
Gitte's field of study in art is togetherness and relationships, or lack thereof, between people and environments, in private and public space. She wants to create narratives through her works that do not have one predetermined conclusion, but instead several interpretation possibilities.
Gitte's paintings are series, which are often thematized in which subjects take up her life and the contemporary times we are a part of. Areas such as the environment, nature, the challenges of the next generation, love and balance / imbalance are in focus. She builds up her acrylic paintings in layers, consisting of many realistic elements that become fabulous in the composition.
Art doesn't have to be pretty.
Art doesn't have to be gloomy.
Art should create an atmosphere or a feeling.
Then the relationship arises.
Henrik Dencker works from his own gallery and workshop in Berlin and Copenhagen respectively. Since 2007, Henrik Dencker has had several exhibitions at galleries and art fairs in Copenhagen, Berlin and Amsterdam, and has most recently become known for his interpretation of Tintin and Captain Haddock on a motorcycle. Henrik Dencker is co-owner of the gallery Dencker+Schneider in Berlin, and in addition a board member at Holbæk Academy of Arts.
I was 8 years old when I experienced the color as an important part of me. It was with my aunt and uncle, Kirsten and John Becker at their weaving school in Søllerød. In the workshop there were shelves with home-dyed yarns in the most beautiful shades.10 years later I was in Venice, where the light, the colors, the scents and the melody of the language went deep into the mind, it was like walking into the innermost part of my soul.
Only in 1991 did I try to put my sensory impressions on paper and canvas - since then I have continued, now full-time, and especially acrylic on canvas.Since 2003 I have exhibited in both Denmark, Sweden, the USA, France, Germany, Italy and at several fairs and censored exhibitions.
Awards received in 2019, 2020 and 2021.Over the years, I have written down quotes from various painters that accurately express my thoughts. Since I cannot formulate it more precisely myself, I will mention some of them here." - I think in colors "“ – I observe, sense, use memory to convey the mood ““ – When I put colors together, it is to achieve a living harmony of colors “" - The result will be without life, without relation to the feeling that had made me paint the painting, if I don't put my feeling and emotion into play""- I can only be deeply honest, forget everything I know and be open to what happens "" - There is almost always a conflict between what is seen and what the image demands, THE IMAGE IS ALWAYS RIGHT! "
Painters that I highly respect and are inspired by because they each have a great empathy for color are:Paul Cézanne, Henri Matisse, Marc Rothko, Francis Bacon.
Sonny Schneider currently works mostly with sculpture, but also draws and paints.The term is often constellations of absurd scenarios that take place in a parallel world. Based on nature and its many elements, the form is integrated with the human and animal character.
Sonny has participated in several censored exhibitions, most recently at KE2021, has run a gallery and workshop for 10 years and worked artistically with drawing and painting as well as sculpture for the past 20 years.
Tina Thorborg was born in 1964 and has lived in Odense. She has now replaced that with a studio in Fredensborg and a showroom in Copenhagen. For 18 years, she has been a full-time artist and has exhibited in several places on Funen - among others at Filosofgangen in Odense.
She has also exhibited in several places in Zealand, including in Gallery Ravn in Valby, where she exhibited together with Poul R. Weile and most recently in Gallery "Die Kunsthalle Liseleje".
I am trained as an architect from the Academy of Fine Arts in Copenhagen, and have worked as an architect for many years. In recent years, I have chosen to work exclusively as a visual artist with painting as a form of expression.My inspiration in the first years, as a full-time painter, was Provence, but in recent years it has been the metropolis with New York as a source of inspiration, which has formed the basis for the artistic activity."
In my acrylic and oil paintings, I have an idea that the viewer should be able to take a walk in the picture, even behind and feel what you don't immediately see. When I paint the pictures, I fantasize freely and create my very own metropolis based on New York. I perceive the city as a landscape - Cityscape - and my background as an architect comes in handy when I construct the perspective on the canvas, with chalk on a black background, as an underlying necessary grit.It is, among other things, especially the transition between the light at twilight - where the electric light takes over and the contours blur and millions of lights are lit - I find my inspiration.Together with my muse, wife Lone,
I live in Hellerup and work in my studio in Melby by Liseleje in North Zealand, which we built in 2010. Here the paintings of the metropolis are created, but also the flower paintings are created here, inspired by my little birch grove with summer flowers just outside my studio".
Åbningstider:
Torsdag og fredag: kl.12-17 Lørdag kl.10-14.
Mobil: 26221238
Email: annemettelorenzen@mac.com
CVR: 25870220
AL-Bank: Reg. 5358 Konto 0251704
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